Press

ARTICLES & REVIEWS

1970-1979
Barry, Ann.  “Arts and Leisure Guide.” (Group Show at Artists Space), The New York Times, May 16, 1976, p. 65.

Ratcliff, Carter.  “New York Letter.” (Hermine Ford at Artists Space) Art International (Summer 1976), pp. 27.

Foster, Hal   “A Tournament of Roses”, Artforum (November 1979), pp. 62-67.

 

1980-1989
“Arts and Leisure Guide.” (Hermine Ford at Barbara Toll), The New York Times, November 8, 1981, p. GU13.

“Arts and Leisure Guide.” (Hermine Ford at Barbara Toll), The New York Times, November 15, 1981, p. TG14.

Frank, Elizabeth.   “Hermine Ford at Barbara Toll”, Art In America (March 1982), pp. 146-147.

Glueck, Grace.  “Art: After Two Years, Selected Prints III.” (Gallery Artists’ Choice at Gruenebaum Gallery) The New York Times, September 24, 1982, p. C21.

Russell, John   “Reviews.” (Hermine Ford at Barbara Toll), The New York Times, November 20, 1981, p. C28.

“Arts and Leisure Guide.” (Hermine Ford at Barbara Toll), The New York Times, November 22, 1981, p. D58.

Russell, John.  “The Power of Frank Stella.” (Painting 1985 at Pam Adler Gallery), The New York Times, February 1, 1985, page C1.

Westfall, Stephen   “Hermine Ford at Barbara Toll”, Art In America (May 1986), pp. 156,157.

“Arts and Leisure Guide.” (Hermine Ford at Toll), The New York Times, January 5, 1986, p. G18.

“Arts and Leisure Guide.” (Drawings at Walls), The New York Times, January 10, 1988, p. G18.

“Arts and Leisure Guide.” (Hermine Ford at Barbara Toll), The New York Times, November 15, 1981, p. TG14.

“Arts and Leisure Guide.” (Drawings at Walls), The New York Times, January 17, 1988, p. G18.

“Arts and Leisure Guide.” (Drawings at Walls), The New York Times, January 24, 1988, p. G18.

Klein, Ellen Lee.  “Sequential and Diaristic Drawings.” (Michael Walls Gallery), Arts Magazine (May 1988), p.105.

“Arts and Leisure Guide.” (Drawings at Walls), The New York Times, June 19, 1988, p. H40.

 

1990-1999
Plagens, Peter.  “Last-Minute Reprieve: Is abstract painting dead? Not if Barbara Rose can help it.”  Newsweek, January 13, 1992, p. 62, 63.

Schjeldahl, Peter.  “Secondhand Rose.” (Abstract Painting: The ‘90s)  Village Voice, January 21, 1992, p. 86.

Foreman, Debbie.  “Family trees that blossom with talent.”  Cape Cod Times, Friday, May 29, 1992.

Doty, Mark.  “When home is where the art is.”  Bay Windows, June 3-June 10, 1992.

Doty, Mark.  “Wings of desire.” (Hermine Ford at Berta Walker Gallery)  Bay Windows, July 2, 1992, p. 21.

Dorsy, John.  “Growth escapes the confines of usual landscape conventions.”  The Baltimore Sun, Wednesday, February 24, 1993, section C.

Sheldon, Louise.  “Empathetic Works at School 33 Exhibition.”  The Baltimore Chronicle, vol. 20, no.12
(March 1993) pp 1, 12.

Giuliano, Mike.  “Gallery.” (Growth and Atrophy: The Empathetic Landscape at School 33), City Paper, March 12, 1993, p. 25.

Wood, Carol.  “Formalist Painting 90’s Style”, The New Art Examiner (November 1994), p. 29.

Nahas, Dominique.  Review Magazine, March 14, 1997, p. 7.

Marks, Joan.  “Artists united by more than minimalism.”  Provincetown Banner, June 26, 1997, p. 23.

Smith Roberta. “Reviews-Aerial Perspectives,” The New York Times, August 1, 1997.

Mahoney, Robert. “Aerial Perspectives: reality Imagination and Abstraction.” Time Out, New York, August 7-14, 1997.

 

2000-2009
Leffingwell, Edward. “Hermine Ford at Grant Selwyn.” Art in America (May 2001), pp  170, 171.

Art Listing.  (Hermine Ford at Grant Selwyn), The New York Times, January 2001.

“Hermine Ford at The Hebrew Home.” Bronx Times Reporter, November 27, 2003.

“Hermine Ford: Paintings and Works on Paper.” The Riverdale Press, Thursday, December 4, 2003, p. B2.

Bowers, J.  “Quirk Express: Idiosyncrasy Holds the Chaos Together in the Work of Hermine Ford.” (Goya-Girl Press) Baltimore City Paper Online, December 24, 2003.

“‘II SS’ coro a due voci, di poetessa e pittrice,” Corriere Della Sera, Tuesday, April 3, 2007

“‘II SS’ by Hermine Ford and Kathleen Fraser on 3-5 April,” The Roman Forum, April 4, 2007

“STUDIO PRATT: Hermine Ford e Kathleen Fraser,” ARTEeROMA, no.9 (April-May 2007) p. 25.

“Hermine Ford: Two New Paintings,” Greenline, Brooklyn, February 1, 2009.

Listing.  “Old Dogs, New Tricks,” The New Yorker, May 25, 2009.

2010
Wei, Lilly.  “That is Then. This is Now.” Art News, November.

2011
Butler, Sharon.  “Hermine Ford’s enchantment,” Two Coats of Paint (blog), May 3, 2011.
(http://www.twocoatsofpaint.com/2011/05/hermine-ford-but-that-sparky-bird-keeps.html)

2014
Butler, Sharon. “Idiosyncratic rule in Brooklyn,” Two Coats of Paint (blog), January 11, 2014
(http://www.twocoatsofpaint.com/2014/01/idiosyncratic-rule-in-brooklyn.html)

Buhmann, Stephanie. “Hermine Ford and Joan Witek (Outlet Fine Art),” Art Pulse Magazine, Vol. 5, No. 18, April 2014, p. 71.

Butler, Sharon. “Who is Agnes Magruder?” Two Coats of Paint (blog), June 8, 2014.
(http://www.twocoatsofpaint.com/2014/06/who-is-agnes-magruder.html)

2015
Stevenson, Jonathan. “Studio Visit: Hermine Ford’s order and disruption,” Two Coats of Paint (blog), November 28, 2015.
(http://www.twocoatsofpaint.com/2015/11/studio-visit-hermine-fords-order-and.html)

 

SELECTED CATALOGS

CIBA-GEIGY Corporation, Ardsley, NY.  Works by Women, from the CIBA-GEIGY Collection.  Essay by Emily Genauer, exhibition catalogue, 1974.

Grey Art Gallery, New York, NY.  American Painting: The Eighties.  Text by Barbara Rose, exhibition catalogue, 1979.

Jennifer, Richard, Hermine, Jeff, Bob, Elizabeth, Alan.  Text by Barbara Rose, exhibition catalogue, 1981.

Artists Space, New York, NY.  Thirty-five Artists Return to Artists Space: a benefit exhibition.  Introduction by William Zimmer, exhibition catalogue, 1981.

Williams Center for the Arts, Lafayette College, PA.  Small Works/New Abstract Painting.  Text by William Zimmer, exhibition catalogue, 1983.

Muhlenberg College Center for the Arts, Allentown, PA.  Contemporary Abstract Painting.  Text by Tom Hudspeth, exhibition catalogue, 1983.

Artists Space, New York, NY.  A Decade of New Art.  Essay by Linda L. Carthcart, exhibition catalogue, 1984.

Hofstra University, Calkins Gallery, NY. Arthur Cohen, Louise Fishman, Hermine Ford.  Essay by Elizabeth Frank, exhibition brochure, 1986.

Molica Guidarte, New York, NY. Drawing Conclusions. Essay by Giuseppe Molica, exhibition catalogue, 1991.

Andre Emmerich Gallery, New York, NY.  Abstract Paintings: The ‘90s.  Essay by Barbara Rose, exhibition catalogue, 1991.

DC Moore Gallery, New York, NY.  Aerial Perspectives.  Essay by Margaret Mathews-Berenson, exhibition brochure, 1997.

Storefront, Brooklyn, NY.  Hermine Ford: Paintings 1970 to the Present.  Preface by Jason Andrew, exhibition catalogue, 2011.

 

VIDEO & FILM

“Hermine Ford”, Video Interview with Kate Horsefield, Video Data Bank, The Art Institute of Chicago, Spring 1980.

“Works by Women: From the Heart / presented by The Gihon Foundation.”  This film explores twentieth-century art by

women, focusing on nine of the thirteen artists whose works compose the Gihon Foundation Art Collection.

 

SELECTED PUBLICATIONS

Bee, Susan and Mira Schor, ed.  M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism. (Durham and London, Duke University Press, 2001).

Eshoo, Amy, ed.  560 Broadway: A New York Drawing Collection at Work, 1991-2006. (New Haven: Yale University Press, 2008).

Bee, Susan and Mira Schor, ed.  25th Anniversary edition of M/E/A/N/I/N/G. (Durham and London, Duke University Press, 2001).

 

ON LINE PUBLICATIONS

www.bigbridge.com  online publication of “ii ss” collaborative project with poet Kathleen Fraser

 

INTERVIEWS

Interview with Hermine Ford conducted February18-19, 2010 by Judith Olch Richards, for the Archives of American Art. (http://www.aaa.si.edu/collections/interviews/oral-history-interview-hermine-ford-15787)

Interview with Hermine Ford conducted by Give Up The Sun. (http://giveupthesun.tumblr.com/post/6790494268/conversation-with-hermine-ford)